Ars et Ingenium: The Embodiment of Imagination in Francesco by Pari Riahi

By Pari Riahi

When did drawing develop into an essential component of structure? between a number of architects and artists who caused this alteration in the course of the Renaissance, Francesco di Giorgio Martini’s rules on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are major. Francesco means that drawing is associated with the architect’s mind's eye and relevant in conveying pictures and ideas to others.

Starting with the wider edges of Francesco’s written paintings and gradually penetrating into the glorious international of his drawings, the ebook examines his singular formula of the act of drawing and its value within the context of the Renaissance. The booklet concludes with speculations on how Francesco’s paintings is correct to us on the onset of one other significant shift in structure as a result of the proliferation of electronic media.

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